Bullets shatter the eardrums, as pellets spear through a million bodies at a time. In a bed decorated with corpses and fertilized with blood, a butterfly lands next to a trench on the Western Front, and slowly, slowly, a hand comes out from the trench. A hand that craves for freedom, for happier days, for the comfort of his home, for the love of his family… A hand that just wants to touch the elusive, beautiful butterfly, even if it means disclosing his position on the battleground... And the hand progresses, further and further, inching closer to one last moment of happiness…
An Indianised NRI lover steps onto a gently moving train, destined for a place far, far away, as his lady love and her fierce father look at him from the platform. Slowly he turns around, and looks right into his would-be father-in-law’s eyes. The train is gradually gaining speed, the girl is hysterically weeping, and two men simply stare at each other. A thousand words, a million promises, a billion agreements pass between them- and not a word is spoken. And then, suddenly, unexpectedly, the father lets the girl go.
“Jaa, Simran, jaa- jaa jee le apni zindagi.”
Millions endorse a book launching; an anthology by a poet whom no one ever gave due recognition, who they all believe is now dead… A door opens, and, framed in a harsh, bright background light, he stands, wrapped in a shawl, hands spread out, shrouded in the darkness that has engulfed his entire life. He then looks up, slowly, gradually, full of disgust and pity for the people around him- and, in words glittering with poetry that no one has ever matched since, spits out his fury, his frustration and his disillusionment with this world.
“Yeh duniya agar mil bhi jaaye toh kya hai…?”
A deaf-blind girl, after years of perseverance and persistence, finally graduates. In what must be the happiest moment of her life, she comes back to meet the one man who taught her everything, including the ability to live and fight. That man, however, is now in the depths of Alzheimer’s, and, confined to a hospital, has not recognized anyone for ages. Yet she believes her achievement will mean something to him, and, dressed in her graduation robes, she hands him her degree. Like light tip-toeing into the night at dawn, recognition slowly dawns- he touches her robes, her hat, and in a moment so sublime that it transcends all celebrations, he dances.
“Come… Into… The light.”
An intensely lonely man stands in front of a mirror, armed with a gun and believing it to be his destiny. He has spent years alone, irreparably scarred in Vietnam, and has spent hours and hours alone in his room working out and writing his thoughts down. In a moment of inspiration and full of attitude, he cockily talks to himself in the mirror- for he’s the only one there.
“You talkin’ to me? There ain’t no one else here.”
Confronted with overwhelming evidence, a strong-willed, concerned wife asks her husband if he is involved in his family’s crime business. He is reluctant with his answers initially, and soon graduates to full blown retaliation, warning her never to ask him about his business again. Then, after much insistence and a very long, pregnant pause, he looks right into her eyes and- unexpectedly, unbelievably- denies all we know to be true. She leaves the room, a relieved, rejuvenated, satisfied woman, but suddenly turns around- only to find a door being closed on her face forever.
“That’s my family, Kay, that’s not me.”
I sit at the table with her, holding her hand under it, facing her mother. Her mother has known about us for some time now, and decides its time for a tete-a-tete. Gradually, over the course of a meal in Lajpat Nagar, she tells me all about her husband, his life, his ideologies, his dreams. And what we must do if we want our dreams to be realized. It’s not an easy task. As I look at the girl next to me, however, she and I are both filled with an inexplicable and surprisingly clear sense of purpose and calm: armed, finally, with the knowledge that no test is too difficult; no mountain too tall. If this is what we must do to continue holding each other’s hands, then this is exactly what we will do- and more.
“Aapni chinta korben naa, Aunty.”
She refuses to be seen with me when I wear my favourite dark green shirt. My limited eye for aesthetics hides anything hideous in that marvelous garment. We have had numerous arguments about it, and it still creates ripples. Then I find myself penniless before our anniversary, and, in a moment of sheer lunacy and true filmi inspiration, I gift her my shirt, with only a smile and a simple logical statement to clear her evident confusion- as long as she has it, I cannot wear it. Clouds part somewhere and sunlight bursts through- she smiles…
I walk into my kitchen and see her frying puris with my mother and sister. They laugh together and my mother curses the ever-absent housemaid. It’s not a sight I expected to see- and yet, somehow, it seems so… right. They don’t notice me, and I just stare, enveloped in bliss. This is my life. And I like it.
These are not moments which have altered my life in any way, nor have they changed me as a person. True, they are discontinuous and disjointed; each is a part of a larger continuity which gives it meaning. However, as I sit alone in darkness, submerged in reminiscence, I find- more than anything else- these images recurring in my mind. They have all given me momentary happiness. And in a world where happiness has to be snatched from every single fragment of every single breath, they have taught me one thing- happiness lies in seemingly insignificant, inconsequential moments.
Each of these moments have one common thread running through them that bind them to me- somehow, at certain junctures of our being, our meaningless little lives are so filled with love and happiness, that what happens next is absolutely irrelevant.
Happiness is here. Now.
1 comment:
u rite like u believe.....vvvv passionately. luv it!
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